Continuity: As she sits and listens to Melanie talk to Mitch on the phone Annie's right hand changes positions between shots. She starts to move it up, then in the next shot it's already leaning on her left hand.

Audio problem: As the birds sit on the monkey bars outside the school we hear the sound of many birds flapping their wings for several seconds before any take off.

Continuity: As Melanie walks into Annie's apartment we see the front door behind here to the left. Before the door had a shade on top of it, this door is different and doesn't have a shade or a space for it between the curtain and the window.

Audio problem: The overdub of Melanie playing piano in the living room is the same volume when the scene changes to a different room as Mitch and Lydia talk inside the kitchen.

Continuity: As Melanie approaches Mitch's dock, a yellow pole extends from the far left side of the dock to the brown pail in the front of the dock. In the next shot, as she walks on the dock, the pole is gone.

Continuity: At the party Melanie grabs a girl from the birds, but when they all run into the house Mitch is now carrying the same girl.

Continuity: In a close-up of Melanie in the phone booth after a blue and white car crashes into the orange car look at the left side of the screen. You'll see the stop sign that the blue and white car just knocked over back up where it was seconds before.

Continuity: As Melanie approaches the cashier, there are several birds up high in the cage directly behind the cash register that aren't there in the next shot.

Continuity: Melanie is only in Mitch's house for one minute, but the tide has already gone out enough to beach the other boat tied to the dock.

Visible crew/equipment: As they talk Annie walks over to sit behind her desk and we see a quick shot of her hallway. Look closely at the mirror hanging on the far wall and you can see the quick reflection of the studio equipment in it.

Continuity: When everyone begins running down the hill Melanie is in the middle and Annie is in the back. We're watching continuous action but several seconds later Melanie jumps to the rear without ever being passed by Annie.

Continuity: As Melanie speaks to the pet shop cashier she holds her head to the left. In the next shot she's looking straight at the cashier.

Revealing: When they show the perspective of being in Melanie's driver's seat looking out the windshield we don't see Melanie's legs as you would expect, but a mechanism that allows someone to steer from the passenger seat so the camera has an unobstructed view of the driver's seat.

Visible crew/equipment: After finding Mr. Faucets body Lydia gets back in her truck and you can see the reflection of a crewmember wearing headphones in the lower right part of the windshield.

Visible crew/equipment: When Melanie asks Annie if she can use her phone the reflection of a crew member behind her can be seen moving in the window of the house across the street.

Audio problem: At the end of the movie when they're walking out of the house you hear a door open, but the doorway is empty - it's just an open space, with no door.

Continuity: When Mitch is closing the shutter after the birds have started to fly into the window you can visibly see blood on the shutter, yet when they switch cameras and he shuts the shutter the blood is gone.

Revealing: The crew rigged the explosion to start from under the car and not from the lit match which isn't thrown anywhere near where the explosion originates.

Audio problem: As Mitch hammers the mirrored cabinet to the front door they overdub a second hammer sound over the actual sound to make it more intense. If you listen closely they don't get them all right and they miss the very first swing.

Visible crew/equipment: As Lydia gets into her truck you see a reflection of the stage lights in the steering wheel.