Visible crew/equipment: At the Bog of Eternal Stench Ludo summons the rocks with his howling, and we then see one shot of a rock rolling forward. You can see a thick wire attached the centre of the rock, pulling it forward to make it roll.

Continuity: The length of Sarah's nails change considerably between certain shots in this film. For example, after biting the peach she puts her hand on the tree and her nails are short. Upon returning to her home she runs up to Toby, strokes his face and her nails are long. Then, in her room, when she holds the clipping, puts it and the music box, etc. in her vanity drawer, her nails are short again.

Continuity: When Sarah leaves her room, because she realises Toby has her teddy she leaves and swings her door open. But when she leaves Toby's room, her bedroom door is shut, and her parents couldn't shut it as they're out.

Revealing: It is obvious when the owl, that attacks Sarah, is a puppet and when it is a real owl, in consecutive shots. It is also obvious when the snake, that Jareth tosses at Sarah, is real and is a fake in subsequent shots. It is also very apparent when Sir Didymus' dog, Ambrosius, is a real Sheep Dog, or is a puppet Sheep Dog, in consecutive shots as well.

Visible crew/equipment: When Sarah and Hoggle slip off the ledge at the Bog of Eternal Stench, Ludo breaks their fall below. As they fall, in the wide shot, the lines holding Sarah and Hoggle are visible.

Continuity: When Hoggle is taking Sarah out of the oubliette, the lamp he lit goes out quickly just as they exit; yet in the shot of Sarah immediately after she comes out of the doorway, we can see behind Sarah into the oubliette and the lamp is still lit.

Continuity: When the goblins are roaming around and sneaking about in Sarah's father's bedroom, in one shot when we see a small, black, furry goblin jump out of the chest which sits at the end of the double-bed, the rocking horse, which sits next to the green chair, by the double doors, has actually disappeared. It's clearly back, once the owl has burst through the doors.

Continuity: The house that Ambrosius runs into has a small metal pole with thick rope tied around it very loosely. However when Sir Didymus is at the door, telling him to unlock it, the rope is now tied around the metal much more securely and is differently positioned.

Continuity: When Sarah crosses the Bog of Eternal Stench, the bridge rails break, and then the bridge plank under her gives way and falls into the bog, while she clings to the tree limb. However, when Sir Didymus says, "It seemed solid enough," the left rail and the bridge plank are actually still intact.

Continuity: When Sarah walks towards Toby's cot before pulling back the sheets, just before approaching it, there is a shot of the cot. Then in the next shot it shows Sarah reach down then pull back the covers. Between the two shots the covers and pillow have moved and changed their position.

Audio problem: When in the Goblin's house, Sarah chucks a plate of food in a Goblins face and says 'Hungry?' but her mouth doesn't move when she says this.

Continuity: When the Junk Lady says, "Well, what about this? This is not junk," as she hands Sarah the music box, Sarah turns in her chair, brings the music box close to look at it and the toys piled behind Sarah are higher than her head. After a close-up of the Junk Lady, in the next shot of Sarah, she is still bringing the music box a bit closer to her as she turns in her chair and the toys piled behind her are now only up to her shoulders.

Continuity: When Toby catches the crystal ball Jareth throws, Toby is sitting right by the edge of the stairs, Sarah then shouts 'Toby!' then in the next shot Toby is sitting further away from the stairs.

Continuity: When Sarah approaches the empty crib, the pillow is semi-upright at the corner of the bars behind it and she pulls away the blankets letting most of the mattress show. However, as Jareth's shadow is seen on the floor entering the doorway, the blankets cover more of the mattress and the pillow is now flat and centered.

Continuity: When Jareth first appears at the open bedroom doors, the branches and leaves are seen outside behind him on both sides of the doorway. As he and Sarah start to speak, the shrubbery changes between the following close-ups and semi close-ups of Jareth.

Continuity: At the gates to the Goblin City, when Hoggle jumps from the metallic robot, Sarah runs to his aid. In that overhead wide shot and in the following shots, her hair changes as she speaks with Hoggle.

Continuity: In Sarah's father's bedroom, the rocking horse that sits near the back doors is seen throughout the shots in the bedroom and its positions changes several times.

Visible crew/equipment: While falling through the well of hands that lead to the oubliette, wires are visible attached to Sarah. Mostly noticeably when one hand says "Would you like us to let go?" and as she is dropped, wires are seen attached to her arms.

Revealing: Sarah walks over to Ludo as he hangs upside down. Just before she says, "Now, stop that," she takes a step back as Ludo growls and shakes his head around. On his upside down scalp inside his fur a metal clamp on the black material under the fur is visible.

Continuity: When Sarah and Hoggle run, as the cleaners race up the tunnel, Hoggle trips and Sarah helps pull him up. In the shot from behind Sarah holds his arm with her right hand and pushes on his back with her left hand. Yet in the consecutive shot facing the cleaners her left hand holds his hand as they begin to run.