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When Mel Gibson races out of his agency to catch his own taxi to find Judy Greer, the taxi begins to signal it is going to pull over even before he whistles or gestures to it. There is no one already in the taxi so it would have had no other reason for pulling over. See more...

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The fictional childhood of Nick, growing up in a burlesque club surrounded by beautiful, nearly naked women who adored him, is bizarrely similar to the actual childhood of Alan Alda, who plays the boss character. Alan Alda's father ran a burlesque club, and apparently the strippers and dancers treated the young Alda as a mascot, even keeping him in the changing room as they got dressed. However, as an adult Alda became an activist for feminist causes, rather than the chauvinist effect it had on the fictional Nick. See more...

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