Continuity: During the prison revolt, Tally interviews Fernando. How is it possible to cut from Tally to Fernando, when the interview is a live feed with only one cameraman (Nat)?

Continuity: When Robert Redford's character visits Michelle Pfeiffer's apartment for the first time, he says something to her just before he is leaving, he then opens the door. The next shot is of Michelle - look behind her and in the corner of the room there is a mirror, you can see Robert Redford walking up to the door again and opening it and walking out - 6 seconds after he has already done it.

Factual error: When Tally is in the prison and the Live truck loses the picture from her camera, it shows the waveform monitor (black screen monitor that looks kind of like a line graph). If her camera went black, so would that monitor. Instead, it went to the picture you see when the camera goes to color bars.

Continuity: One of Redford's colleagues shows the new weather-custom: a yellow raincoat. In the close-up you see his right hand grabbing a beeper. A second later his hand is near his neck, holding the beeper.

Continuity: When Robert Redford is looking over Michelle Pfeiffer's news reports, in the montage section where he rejects all her stories, he is, at one point, holding a green sheet of paper. When he hands back the page a split second later it is white. Submitted by mandy gasson

Factual error: In the scene where the bodies wash up on Miami beach, they do a live remote report from the beach. However, the TV station truck that they are riding in is a regular truck that is not equipped with the satellite dish and extension pole necessary to send a live feed back to the station. They had nothing more than a shoulder camera with a wire running from it.