Continuity: At the start, the Beast tears a painting and makes ten equal sized gashes. Later, Belle is exploring and sees this painting; there are now nine little gashes and one huge gash.

Continuity: When Cogsworth, Lumiere and Mrs. Potts are talking about the Beast letting Belle go, Chip sneaks off as they are talking. Watch his reflection on the floor as he leaves and turns back to look at them. His reflection, once again, has no mouth. (Time) Submitted by Hamster

Continuity: When Maurice enters the castle, the front doors have four planks each. For the rest of the film, they have five planks each.

Continuity: The doors to the fireplace are ovalish with triangular tops when Cogsworth says "No tea, no tea." When the Beast bursts in, they are rectangular.

Continuity: When Belle lets Mrs. Potts in, she then walks backwards into the wardrobe, and you can clearly see the wall from the bed to the corner is made up of three large purple wall panels. However in a later shot, when the wardrobe opens her doors and the moths flutter out, the wall is now made up of four purple panels. The design on the panels differs too. (Time) Submitted by Hamster

Continuity: After the wolf attack, Belle has a bowl of hot water. In the shot where she raises the white cloth and wrings it out, there is a large beige pillar directly behind her. When it cuts to a wideshot of the whole room, the pillar has vanished. (Time) Submitted by Hamster

Continuity: Belle takes a blue book from the library, but in the shot where Gaston sings "I'm making plans to woo and marry Belle" the book is now brown.

Continuity: The eagle in the bar constantly changes size throughout the "Gaston" song.

Continuity: In 'Be Our Guest', Cogsworth is in the blueberry pie, and has blueberry and pastry over him, yet in the next closeup it's gone. (Time) Submitted by Hamster

Continuity: When Gaston has his feet on the table, the amount of mud on the book and tablecloth changes between shots.

Continuity: When Belle uses Maurice's invention to look outside the door, there is a wooden bolt on the wall. The length of this bolt changes between shots.

Continuity: When Belle is walking home with her book and goes up a wheelbarrow, the sacks of flour on the wheelbarrow move closer together between shots.

Continuity: The amount of snow on the stairs of Belle's house constantly changes in the scene where the villagers try to take away her father.

Continuity: At all times, the enchanted rose is on a smooth marble table, except for when the Beast roars with pain after Gaston shoots him with an arrow. In this shot the table is wooden.

Continuity: When Lumiere and Cogsworth are persuading Belle not to go into the West Wing, in an overhead shot they're at the center of the red carpet, but in the next they're at the far edge of the carpet.

Continuity: When Maurice arrives at the castle and loses his hat, the bricks the hat is over change between shots.

Continuity: At the end of the song "Provincial Life", there's an overhead shot in which you can tell that there is no mud on the street in front of Belle. Then a few seconds later, there is a big puddle of mud, and Gaston throws her book into it.

Continuity: In the kitchen, the stove says “I work and I slave all day long, and for what?” and the stone wall behind him is bare. Then when it cuts to a close-up of him saying “A culinary masterpiece gone to waste,” two shelves have suddenly appeared on the wall behind him, with pots, pans and utensils on them! (Time) Submitted by Hamster

Continuity: Gaston wears a quiver in the scenes where he is after the Beast, and the brown quiver strap runs across his body over his red shirt. After Gaston stabs the Beast with his knife, the brown strap and quiver is still on. However it then cuts, and as he starts to fall, the brown strap of the quiver has gone. Then in the next shot the strap is back on, over his red shirt. (Time) Submitted by Hamster

Other: In the dance scene, when Mrs. Potts says "true as it can be", in one frame her eyes turn black and then turn blue again. (Time)