Jack: I figure life's a gift and I don't intend on wasting it. You don't know what hand you're gonna get dealt next. You learn to take life as it comes at you. To make each day count.
James Cameron actually drew the entire picture of Rose himself and it was sold at auction in 2011 for $16,000. See more...
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Continuity: Just as Titanic breaks apart, the compass platform (seen in front of the third funnel when the lights were still on) suddenly disappears. The water isn't even high enough to have reached its aft-most legs. The white projection on the deck that held the chandelier in the lounge is also gone, and the ventilator that sits on it is flush with the deck.
Factual error: Rose mentions Austrian psychoanalyst Sigmund Freud's ideas on the male preoccupation with size to Bruce. However this is 1912, and Freud did not publish the work relating to this until 1920 in "Beyond The Pleasure Principle." Also, up until 1919, Freud relied solely on data from females.
Factual error: The lake that Jack told Rose he went ice fishing on when she was threatening to jump is Lake Wissota, a man-made lake in Wisconsin near Chippewa Falls (where Jack grew up). The lake was only filled with water in 1918 when a power company built a dam on the Chippewa River, six years after the Titanic sank.
Continuity: When Rose and Jack run through the dining room with Cal shooting them, notice that the floor is tilted to reflect the ship sinking. In the next scene when they run down the stairs, the floor is now perfectly level. There is no tilt to the floor. Notice how the water tumbles out of the door - it falls on a flat surface and disperses evenly with no angle to it.
Continuity: When Officer Murdoch looks down the stairway from boat deck to see A deck flooding below, the stairway video is reversed. The railing is on his left (looking down stairs) and the water is coming in the left side. This is wrong as shown by previous scene of man climbing stairs with railing on right, later by overhead video of stairway, and by ship plans.
Continuity: After Rose cuts Jack's handcuffs with the axe there is no chain left in between the two wrist cuffs. There was enough room between his hands to stretch them across the pipe so there must have been at least a few inches of chain. Surely there would have been some chain links left on one side or the other depending on where she cut it.
Revealing: Many scenes used computer graphics to show the length of the ship. Passengers were also added walking on deck. The shadows for the passengers don't always match. Sometimes the angle of the sun distorts shadows. So the shadow of a woman's hat appears much larger than the actual one she's wearing, much like a person's shadow at sunset can appear to be that of a giant.
Continuity: When Jack and Rose are talking on the deck. Rose is explaining to Jack why she considered jumping. She stated that she felt that she was screaming at the top of her lungs and no one was listening. He looks at her ring and states that she'd sink straight to the bottom...yadda, yadda, yadda. If you watch that scene, pay attention to Rose's hair. One second, her hair in perfectly curled with bangs, then it is behind her ears. It alternates back and forth: bangs, no bangs, bangs, no bangs until she grabs his portfolio and they sit down on the chairs to look at his drawings.
Continuity: When one boat drives back to search for survivors, you can see the lightspot of one lamp turn around faster than the man who hold this lamp, so you know that the lightspot is not from the lamp of this man, but from a studio lamp. The man sees that himself and turns around very quickly to hold the speed of the spotlight.
Continuity: When Rose is lying on the piece of board and she is trying to wake Jack by shaking his hands and such, there is some frozen stuff under Jacks nose. The scene cuts back to Rose and when we go back to Jack the ice isn't there. Then the scene cuts back to Rose and the next time we see Jack he has it on his face again.
Factual error: A small one & probably only noticed by dog trainers like me. When the dogs are being brought on board, they are on leather leashes made by J&J Dog Supplies, invented in the 1970s. It is the type of leash preferred by professional trainers, who probably supplied the dogs for the movie, and is distinguished by the "braid" near the snap, rather than by a sewn or riveted section. J&J's website is: www.jandjdog.com. You can see the leashes there.
Continuity: When the ship is about to leave the dock, there's a lot of people saying goodbye to the ones that are going to leave the city. In the following shots, you can see Jack and his friends playing cards inside the pub. If you look through the window you won't see anyone. In the next shot, when Jack leaves the pub, the crowd is there again.
Continuity: When Jack and Rose finally come aboard the top of the ship after she rescues him they ask the Colonel if there are any boats left and he says "up that way" The woman on the left, who looks kind of pathetic, is then later seen on the life boat with Molly Brown. (They show her face right after Molly says the line "its your men out there") The life boat with Molly Brown in it was sent out before the scene with the Colonel, meaning that she must have gone on the life boat, swam back onto the ship and then back onto the lifeboat.
Factual error: When Jack, and Rose were trying to escape the rising water they were trapped by a locked gate. Jack and the crowd pulled up a bolted down bench to use as a battering ram. When they pulled the bench loose they showed a close up of the wooden floor shattering. The wood was pressed fiber board which would never be used as ship decking, not to mention, pressed fiber board wasn't invented until decades later.
Visible crew/equipment: When the ship is sinking, there is a shot of Victor Garber leaning against the wall in deep contemplation. The camera angle is very tilted and a few things slide off the shelf in front of him. Look carefully on the DVD and you'll see a wire coming out under his arm behind him pulling the china cup off the shelf.
Revealing: When Rose is running in the hallways trying to find help for Jack when he is hand-cuffed, she finds a man and asks him to help her free Jack. She gets frustrated with him and says "listen" then hits him. In shots before (you can put it in slow motion to see it) you can look at the man's hand and it already has blood on it before he touches his face.
Deliberate "mistake": When Jack and Fabrizio are at the bow, the anchor well below them is black. Along with that, the foremost railing is not connected with the rest. But when Rose and Jack are there the well is white and the railing connects. Plus during the "flying" sequence the gap between the vertical bits of the railing is different in different shots of the ship.
Factual error: It is fairly well known that James Cameron built a virtual full-size replica of the ship for shooting the exterior scenes. However only the Starboard side of the ship was constructed; when scenes were required that need to show Portside Cameron employed a method known as 'flipping.' For example, in the early scenes of the film we see Titanic at 'Southampton' and passengers boarding the port side. This was achieved by reversing the camera angles. All the signs on passing carriages/vans and White Star logos were printed back-to-front so that when the scene was printed it could be reversed thus showing both sides of the ship! The problem is that in reality the Starboard side of Titanic was NOT a mirror image of the Portside. On one side of the forward boat deck there were entrances to the First Class Gymnasium and forward Grand Staircase, while on the other side there were the windows of the Officers' Quarters and the entrance to the Wireless Room. On Cameron's Titanic you get to see the gym etc. on both sides of the ship.
Factual error: When Rose, Jack and his friends come up to the boat deck while the ship is sinking, they ascend using the second class staircase and its exit on the deck. When Jack lets go of the door it is able to hit the side of the deckhouse. On the actual Titanic there were walls on the bow side of each door, which supported an overhang above the entrance. This is not included in many scenes in the movie.
Factual error: The hymn that they sing at the church service about "those in peril on the sea" has four verses. "Peril on the sea" was written in 1860 but the verses that have "protect them by Thy guarding hand" and "O Spirit whom the Father sent" were not written until 1937, and thus could not have been sung at the service.
Deliberate "mistake": In actuality, the Palm Court (the place where Rose, Cal, and Ruth have lunch with Thomas Andrews, Bruce Ismay, and Molly Brown) did not serve full meals. Only beverages and small snacks like tea sandwiches, pastries, and crumpets were served there. It is quite obvious that the group is supposed to be having lunch based on the items they order (sausage, lamb, salmon, etc.). James Cameron probably set the lunch scene in this location rather than the First-Class Dining Room (the only location where a First-Class passenger could order a full meal [besides their stateroom, of course]) so that Jack and Rose would have a realistic chance of seeing each other for the first time, being as the Palm Court veranda overlooked the Poop Deck.
Factual error: When the camera pulls back through the pub window to reveal the card players, if you look carefully in the background you will see a Steam Engine on the dock. Unfortunately the computer generated loco is clearly American as it has two domes, something NEVER seen on British locos. It also is shunting what looks like a carriage - again, this is also American. Carriages were rarely seen at docks, except if a train was connecting to a ship, and this was not common until the 1920s.
Factual error: When Jack and Rose are being chased by the bodyguard, they run through the ship's boiler room, prior to winding up in the car. Titanic was fueled by coal, and the boiler workers were called the "black gang" due to what happened as a result of working there. Yet Rose was wearing a pale dress which stayed pristine after going through the area, as did her shoes. She should have picked up at least a LITTLE soot along the way, at least on her shoes and the hem of her dress.
Continuity: As Rose walks down the end of the ship before attempting suicide, a row of benches is visible behind two yellow bolts on the deck. However later in the film, as Titanic is about to go under, Jack tells Rose to "Kick for the surface and keep kicking." Then in the next shot as the ship sinks further, the benches are now in front of the yellow bolts- evidently further than they previously were.
Continuity: Rose is wearing low heeled laced shoes throughout the entirety of the sinking scenes. Jack helps her jump off a small deck in order to flee for the lifeboats (she's wearing her lifejacket at this point). In this scene, Rose is suddenly wearing flat moccasin-type shoes of similar bone colour. Shoes then revert back to low heeled lace-ups after small jump assisted by Jack takes place.
Deliberate "mistake": In the scene at the start of the movie with the "authentic" piece of film, you can see a girl with a hat waving to the people at the ground. When the ship is leaving port in the film, she and others are in the same positions, only in reverse, because the first "authentic" shot is the same shot, only reversed.
Continuity: When Rose leaves Jack to find help, she runs and wades through water that, at times, is above her waist. However, when she is seen from the back after going up a staircase, the water level on her coat changes a few times and in one shot the coat shows no water line at all but is completely dry.
Continuity: In the scene on deck where Jack is teaching Rose to spit, for a split second you can see the breakers rolling in to shore through the ship's railing. Also in this scene, the angle of the shadows changes constantly, indicating the scene was shot several times throughout the afternoon and then spliced together.
Continuity: When Hockley and Lovejoy find the drawing of Rose in the safe, Hockley is holding the drawing which has been secured in some kind of brown manila folder. A split second later, Hockley reads the note Rose left while still holding the drawing (and even angrily squishing it slightly with his hand), and it is not in a manila folder.
Continuity: When Rose slips during her suicide attempt and Jack grabs her right hand there's a shot from behind where her left hand is holding on to the second railing bar from the bottom. When the camera angle changes she is holding on to the bottom bar, and in the next shot again to the second. It's unimaginable that she would change her grip that frequently in this situation.
Continuity: When Rose is being lowered into the lifeboat, she looks up at the ropes, and then the camera alternates between her and Jack/Cal four times. The shots are only a few seconds apart. In the first shot, Cal's hands don't extend past the rail and Jack's are clasped resting on the rail. In the second shot, Cal's hands now extend over the rail and Jack's are completely gone. (The third shot doesn't show the rail.) In the fourth shot, Cal's hands again don't extend over the rail and Jack's are holding the rail. Jack and Cal are calm throughout, so would likely not have been moving their hands about.
Continuity: During a scene where the ship is sinking, Jack and Rose are seen in front of a roaring fire. The coal or logs on this fire do not roll off despite the acute angle of the ship. A clock, glass and ornaments on the mantlepiece above the fire do not slide off and if you look closely at the half filled wine glass on the mantle, the wine is completely level despite the room tilting further and further.
Factual error: When DiCaprio is showing off his sketchbook, there is one with a man's hands around a young girl's torso with his hands on hers. This drawing is an exact replica of a photograph by celebrated photographer Sally Mann called "Rodney Plogger at 6:01, 1989." Most likely a tribute of some sort by the director to a fellow artist, but obviously this drawing is out of place in 1912. [From the New York Times Arts and Leisure section, Sunday, November 19, 2000: "The film director James Cameron copied an image from "Immediate Family" and displayed it prominently in "Titanic" without Ms. Mann's permission. The resulting grievance was settled out of court for a substantial sum just weeks before the Academy Awards."]
Continuity: When Rose is introducing Jack to the first class passengers, they (Jack, Rose and Molly) start walking towards the dining area. Cal turns around, and says "Sweet Pea", obviously calling for Rose. When it does this, you can see Rose, Jack and Molly facing another direction, still talking to J.J Astor. Next shot, they're facing Cal again, on their way to dinner.
Factual error: Rose and Jack retreat aft of the 3rd funnel while D deck (1st class dining salon between funnel 2 & 3) is being flooded. They go down to E deck, which floods then they come back up to D to the locked gate, then escape to C deck just as D floods to the top. The 1st class dining salon extended across the entire width of the ship, so D deck was flooded to ceiling aft of 3rd funnel at the time they escaped below decks. In reality, if the ship were flooded that high, only the stern would be sticking above water. The 'split' did not even show the water that high and far back in the ship.
Continuity: The day after Jack saved Rose's life, they are walking by the upper deck, and you can see the shadows of the smoke that came out of the smokestacks over them and the ship. However, in the next shot, you can see the shadows have totally disappeared, and in the next shot they reappear, but much more faintly. Also it would be technically impossible for the shadows to be over Jack and Rose, due that the sun is coming at the LEFT side of Jack & Rose, so the smoke shadows should have been at the other side of the ship and not over them.
Continuity: The design of the ship's bow changes significantly while at sea. The white form on top of the bow used for mooring first does, then doesn't have an indentation on top, possibly with a bolt in the center. The point where the curved railing meets the straight side railings either is or is not connected by a top horizontal bar, and the gap between the vertical posts changes size. Another mistake on this site mentions the anchor design change, but also the metal walkway is made of tubular metal bars -or- flat bars that are more numerous and closer together.
Continuity: After running from Cal shooting at them, Rose and Jack run UP through the dining room, away from the flooded staircase. They go up and up, then down 1 flight of stairs. Yet when they look back up those stairs, there's water overflowing down to them at the base. There's also doors holding back a wall of water at the end of the corridor that they enter. Water isn't rising that fast.
Revealing: This mistake, as far as I know, can only be seen in widescreen. After Rose, Jack, Tommy & Fabrizio have run on deck (after breaking the gate down), the camera looks down the ship toward the bow. If you look at this in slow-mo, you can see city lights in the top-left hand corner of the picture. I know these are city lights because in a book about the movie, it shows a similar picture.
Continuity: When Rose has just boarded titanic and is looking through her "finger" paintings, she is holding a painting, then slides it down her fingers. When she slides it down, she slides it almost to the end of the painting's frame, but in the following shot she isn't even close to the edge/end of the painting.
Continuity: When Rose is running to get to the stern to throw herself off she starts by running on the first class A-Deck promenade. Then when the whole stern of the Titanic is shown sailing, Rose runs out from the 2nd class B-Deck promenade, a deck down. The only way that these two promenades were connected was by two ladders, which Rose passes when she keeps running. It makes no sense to go down the ladders, go forward, turn around and head back to the aft part of the ship.
Continuity: When Rose and Jack run outside after making love in the car, you will notice a shot of the men in the lookout tower where you can see their breath due to the extremely cold night. But when the shot goes to Jack and Rose, you will notice that you cannot see their breath but also Rose does not seem to be affected by the cold even though she is wearing a thin dress with no sleeves.
Continuity: After Rose has been persuaded to step into the lifeboat the camera is on Cal and Jack for quite some time when Cal reveals to Jack that there is no arrangement in his benefit. During all this time the lifeboat is being lowered, but when the camera cuts back to Rose she can still make eye contact with Jack almost at level.
Revealing: When Rose and Jack first enter the boiler room, they run towards the right. If you look closely you can see the reflection of the worker in the back to the left in the mirror they use to make the bolier room look longer. In the next scene they are running in the opposite direction, because the set is so small due to the mirror, and once again you can see the same reflections caused by the mirror.
Factual error: In the shots taken in the grand staircase, the lights on the ceiling are flush with the ceiling itself. The lights in the actual Titanic's grand staircase were mounted via a small pedestal. Earlier in the film when the submarine is exploring the grand staircase, there is a shot of one of these same lights except this light actually has the original pedestal.
Continuity: When Rose, Cal and the others sit around a table talking and drinking, and Mr Ismay says something. His hands are locked together by his fingers, but in the following wide shot his left hand is down by his knee and his right is holding a fork with food on it. Also, Rose puts the cigarette holder to her mouth and takes her left hand away from it but in the following shot her left hand is still on it.
Continuity: Right after the 1st smokestack has fallen and crushed Fabrizio, it is seen from above creating huge sprays of water. The problem is that the smokestack looks nothing like the Titanic's. You can see the top and there is no black whatsoever. And to make it stranger, there is a cable attached to it and then one below it, both on the peach/orange color, and not the black.
Continuity: When Jack is waiting for Rose at the staircase (before dinner) he is mimicking the hand gestures of an older gentleman. As Cal and Ruth walk down the stairs, we see a shot of Jack from behind, and his arms are at his sides. In the next shot when Cal goes to greet the Countess, Jacks posture is back to the mimicking of the older gentleman.
Continuity: When the submarines are down at the wreck they are shown looking at the enclosed promenades at the bow of the ship. When the camera backs up in one scene to reveal more of the ship there is a pole that is broken. Then in the next shot you see the same area, with the same pole intact. Apparently because both subs are seen during the broken pole, that was not the real Titanic, while the unbroken was.
Continuity: As Rose shows the men she can rise up on her toes, from the front she has a cigarette in the first three fingers of her right hand. In the next shot her right hand is seen under her left arm and she has no cigarette. When she falls back into Jack's arms the cigarette is back in her right hand.
Continuity: When the ship begins to tear apart and the inside is seen collapsing, the room shown is a combination of the lounge's windows (already submerged as shown by the floating girl) and the smoking room's ceiling. Also according to where the ship breaks in the movie these rooms are not part of the tear.
Continuity: When Rose is looking through Jack's sketchbook when they are sitting on deck near the beginning of the movie, Rose's hair changes form shot to shot. From one angle it is very messy, with a lot of wind blowing it around. However, from the other angle her hair is perfectly styled into ringlets around the front, with little or no wind blowing at it.
Continuity: When the stern is vertically up in the air a lot of people are holding on to the railing. We see them falling down one by one. When the camera changes to a wide angle it looks as if all are gone except Rose and Jack who are lying on top, but when the camera cuts closer there are again four people hanging.
Factual error: When the captain declares to Bruce Ismay that the last boilers have been lighted, it's only half true. Sunday morning, the last "regular" boilers were lighted to reach a total of 24 out of 29. The five boilers of the auxiliary boiler room number one are not in operation yet. The day after, weather permitting, it was planned to light them on for a few hours to see if the Titanic had something in the ball.
Revealing: In this scene, at the end of the film when Jack and Rose are hanging onto the railing, you can see the ship split in half, but when it drops, if you watch closely on the right side of the screen, you can see that the entire ship is still intact, the lifeboat cranes are visible all the way down the top of the ship.
Other: Several actors/props/areas etc. are well known in this area to be flipped. For example, Billy Zane, who plays "Cal" in this film is right-handed, yet in some areas he uses his left-hand when it's not dominating and natural. (Noticeably, when he is chasing Jack Dawson down the grand stairs, he is holding his gun in his left hand, when it would make more sense to hold his gun in his right hand.)
Continuity: Close to the end of the film when lots of people are trying to free the lifeboats from the ropes, you can see Cal, climb up a black wire and stand on the side of a half turned lifeboat, but if you watch closely in the following shot, you can see that Cal is still climbing up the black wire.
Revealing: (DVD timings) The band decide to go their separate ways, just before the ship sinks. As they are seen departing, the lead violinist strikes up a solo - I think it'd be 'Nearer My God to Thee' or so the legend goes. A fraction of a second before he does, watch the second violinist - he disappears off to the right of the shot at first, then reappears near the side of the ship - he is obviously awaiting his cue as he turns round too early, i.e. before the lead strikes the first note, then turns away again.
Factual error: The both times the fireplace in the first class lounge is seen there is nothing on the mantle piece. But in photos of the actual lounge there is a statue on the mantle called "Artemis of Versailles" which was a small copy of the original in the Louvre, Paris. The statue was even photographed on the ocean floor when the Titanic was found, but there is no statue in James Cameron's movie.
Factual error: When Jack goes up to first class on a Sunday morning, the group is singing the Navy Hymn "Eternal Father". What is impossible is that they are singing the last two lines of the verse written for Naval Aviators. The verse starts "Lord guard and guide the men who fly". They are singing the last two lines, "Oh, hear us when we lift our prayer, For those in peril in the air." The Wright Brothers flew about 8 years before, and I don't believe that this verse was even added until the 1930's.
Plot hole: Rose is finally rescued from the water by fifth officer Lowe in boat number 14. The night of the sinking, this same boat also rescued the people of another boat half full of water, boat A. And who is in this boat? The infamous Hockley! So in broad daylight, Rose and Cal arrived at the Carpathia, in the same lifeboat, without seeing each other.
Continuity: When Jack and Rose are on the way to the end of the ship to try and stay on as long as possible, you can see them jump down from a railing, but if you watch when Rose jumps down, a woman also jumps down next to her and falls over, yet in the following shot she has vanished, then in the background she can be seen jumping down again.
Continuity: On the day after Rose got the diamond she and Jack talk a walk on the deck. From the light on the deck you can tell that the sun is still fairly high up. When the camera angle changes and we see them from behind the deck is in the dark, and the sun is falling in almost horizontal. When they sit down to look at Jack's drawings the sun is higher again.
Continuity: When Jack is sneaking over the rail to the first class deck, a boy is preparing to spin his toy top. As Jack leaps the rail and begins walking, the boy throws the top and you see it start to spin. The camera angle then changes to show Jack walking, toward the coat he is about to 'borrow', and in the background you can see the boy again drawing back to toss his toy top. Since you have to meticulously wind the string around the top of the toy, it would be impossible for him to be making a separate toss. It's obviously the same toss filmed from two separate angles.
Continuity: Ruth walks to the ship, followed by Rose and Cal. When she is about to enter, the angle cuts and suddenly several women with dogs haven taken her place, followed by a lady who looks nothing like Ruth. Then in the following close-angle the group is meters behind from where they first were, repeating the walk towards the door.
Continuity: When Jack is playing poker in the beginning of the movie with the Swedish guys and Fabrizio we can see a short shot of his cards. He then takes another card and wins by having a full house. However, there was no way to get a full house with the cards he had by just drawing one more card.
Revealing: When the [CGI] Titanic leaves the dock, watch a man in a green jacket close to the bottom part of the screen. He is waving goodbye to 'nowhere', for that part of the boat is empty and its prow is pointing away from where he is staring. This reveals he was looking at a green screen, with no idea whatsoever of what was going on.
Audio problem: During the scene where Jack and Rose are walking around the ship and talking and Rose is telling him about her upcoming fears about the wedding, a frontal camera shot on Jack shows him asking her "It's a simple question, do you love the guy or not?". Jack finishes his sentence here, but about a second later, a rear camera shot of Jack (now also facing Rose) shows that his jawline and lips are moving and finishing the words "or not".
Deliberate "mistake": Even though the movie uses the correct number of rockets, the timing is awful. The last rocket was fired at 1:40 AM at the latest. In the movie, the last rocket is fired when the last boat to be lowered on the davits leaves (the one Rose gets, and jumps off of). This would make it 2:05 in James Cameron's Titanic time. It was probably changed to add more drama to that heart-throbbing scene...
Factual error: Jack (Leonardo DiCaprio) was handcuffed with old English Hiatt's Darby Handcuffs (type 104). This is historically correct. But the key for these handcuffs identifies them as modern reproductions, because it had a flat top and was "checkered". The old keys had an oval and smooth (only marked with "Hiatt" and a number) top. The handcuffs used in the film were not from 1912.
Deliberate "mistake": When Jack and Rose are adrift in the ocean, the stars behind them are not the right ones for that time and date. In fact, it's not any sky ever seen on Earth. The right half of the sky is a mirror image of the left half. The fimmakers deliberately positioned the stars to form the shape of the pendant 'Heart of the Ocean.'
Continuity: When Rose and Jack beg a steward to open the gate for them while the water is rising, the steward drops the keys and runs away. There are two shots of the keys on the chain lying in the water arranged in totally different ways (the difference is not caused by the water flow as the keys are not moving in either shot).
Factual error: All deep sea submersibles that travel to depths of two or three miles fall to the ocean floor with no power on. At the start of the film, you see MIR1 and MIR2 pan past the camera with all their lights on. The lights should be off to conserve electrical power. The journey to the sea bed takes two and a half hours.
Revealing: When the ship hits the iceberg and the plates of the hull start to buckle and break apart, it shows a scene on the inside of the ship showing the walls buckling in, along those walls you can see vertical pipes that appear to made of PVC, similar to the pipes used for sewage drains in modern building structure. I don't think PVC was around in 1912, the pipes would have been made of cast iron or lead and they would not have been white.
Factual error: When Jack and Rose begin to evacuate to the Titanic's stern, there should be only two lifeboats left on the ship: Collapsible A (which Cal was on) and Collapsible B (the overturned one with all men on it). However, if you pay attention you'll notice two other boats still there. One is still loading and another is in the water but still attached to the falls.
Continuity: Just after Rose leaves Cal, we get an underwater shot panning down on Jack, showing that the window he's standing next to is fully submerged. However, interior shots after that show air around the upper edge of it. It's not trapped air: it's constantly bouncing around, in a wave-like pattern.
Visible crew/equipment: In the scene after Jack and Rose try to save the child from the Italian guy, when the water bursts through the doors, they run away from it. But take a close look at Jack's neck: you can see the edge of a black wetsuit. And under his entire shirt, it's a little darker than it is a few moments later when they try to open the gate.
Other: After the "flying" scene, the story cuts back to real time. When it starts to transition back to the flashback, the camera zooms in on a television screen with the fireplace in it. This screen is 1) also used in the beginning of the movie 2) impossible, seeing how there was only one ROV in that room, and it shows the ROV in it.
Continuity: About half an hour in when the rear of Titanic is shown, look at the very rear of the ship and you will see a red sign (near the triple screws) to the right of an over-hanging light. Shortly afterwards when Rose approaches the rear of the ship to jump off, the sign has now moved to the other side of the light.
Continuity: In the You jump I jump scene with Jack and Cal persuading Rose to get on a lifeboat, Rose embarks the lifeboat at the front, port(left side) side of deck top. Yet when Rose jumps back on the ship, she climbs back on in the middle, starboard(right side) of A deck where the windows change, running towards the bow to the Grand Staircase; while Jack is running towards the Stern from the Port front side of deck top. Jack enters the Grand Staircase from the port side of Deck top, and Rose enters the Grand Staircase from the port side of A Deck.
Revealing: Towards the end of the film when Titanic is gradually getting higher Rose and Jack finally make it to the top of the ship, watch closely at the shot when they approach the top of the ship and Rose grabs onto Jack. In the background right at the very top of the shot you can see many green screens stood at the top of the ship in the background where people are running around.
Continuity: At the very beginning of the film when Brock is talking with the big guy, they walk up stairs turn to the right, and right in front of them is a large piece of the ship with a no smoking sign on it, yet in the following shot, the large piece has turned into a very small piece, not even enough room for the sticker.
Continuity: When Rose leaves Jack's company to retrieve help, and goes to return with the axe, she stops at the stairway with the rising water and wedges the axe on the bars. The camera cuts to behind Rose to show her removing her outerwear, and the axe is still being held up by the bars but it's nice and straight, before and after this camera shot, the axe is propped in the bars crooked at an angle.