Superman IV: The Quest for Peace

Visible crew/equipment: While Nuclear Man destroys Metropolis, a bunch of people appear behind him, specially a woman with a white gabardine, a funny wig, dark glasses and a big fake nose. She reappears in a totally different place two seconds later, when the police cars arrive.

Sacha

Continuity mistake: In the very beginning of the film, a satellite dish next to the Russian cosmonaut keeps appearing and disappearing.

Sacha

Continuity mistake: When Lacy is seducing Clark in the office, she places her left leg on the table, several inches away form the edge. From the opposite angle it's on the very edge of the table.

Sacha

Continuity mistake: When Lacy is seducing Clark, he is sitting straight, but in the following angle he is leaning backwards with his head tilted sideways.

Sacha

Continuity mistake: When the Russian spaceship is spinning round, the bright and orange light inside and its minimal decoration are totally different to the inside shots, with a dim light and cables and stuff everywhere.

Sacha

Continuity mistake: Before Superman throws the heavy weights at the gay gym instructor, two small weights are laying parallel on the floor. A second later one has moved underneath the bench.

Sacha

Continuity mistake: When Superman is about to take the Russian cosmonaut back inside his spaceship, a first angle shows him very close to the doorway. A shot later he is farther away.

Sacha

Revealing mistake: When Superman returns the cosmonaut back in the spaceship, Superman's head becomes transparent, and the cosmonaut's helmet becomes wobbly, all because of the use of blue-screen.

Sacha

Continuity mistake: After Superman prevents the Statue of Liberty from crashing against the street, when he passes Central Park, there's a wide angle of the Statue flying and Superman is nowhere to be seen.

Sacha

Continuity mistake: When Lacy is seducing Clark in the office, the things on the table change positions between shots. Watch how the glasses move around, for example.

Sacha

Continuity mistake: Nuclear Man is destroying Metropolis and always, behind him, there is a white truck and a lot of cars. But in one of the shots the cars have vanished and a lot of people appear.

Sacha

Continuity mistake: After Superman straightens the Russian spaceship, he flies away to save the cosmonaut. In the following wide angle he is flying towards a different direction.

Sacha

Plot hole: After Nuclear Man slides down the chimney of the Nuclear Plant the lid of the reactor is open and then automatically closes. This whole premise is totally absurd, not only for security reasons, but for logical ones too.

Sacha

Lex Luthor: Lenny, let's try and keep your IQ a family secret.

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Trivia: Near the end of the film, Superman gives a press conference in front of a bluish mirror-glass building which is meant to be the Daily Planet skyscraper in Metropolis (which we all know is New York, sort of). The shot is framed so you can only see the bottom of the building - necessary as it is only about 3 floors high, and is in fact the railway station in Milton keynes, England, about 400 yards from where I work. Even the crowd have a vaguely British look about them - presumably passers-by were recruited and stood there in their own clothes (this would matter less now - Brits look more American than they did in the Eighties).

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Question: I read that, according to Margot Kidder, when working on this movie, Christopher Reeve and Sidney J. Furie didn't get along at all. Is this true? If it is true, then what was the reason behind their feud in the first place?

Answer: There appears to be multiple reasons. They had creative differences, ultimately resulting in a poorly received movie. Kidder said Reeves, who co-wrote the story, had an inflated ego and clashed with Furie.

raywest

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