Fifty Shades Darker

Trivia: When Ana is telling Hannah, her new assistant, what she expects of her in the job, the dialogue is taken from the 1988 film "Working Girl," starring Dakota Johnson's mother, Melanie Griffith. Ana says, "I expect you to call me Ana. I don't expect you to fetch me coffee, unless you're getting some for yourself, and the rest, we'll just make up as we go along." In "Working Girl," Melanie Griffith says, "I expect you to call me Tess. I don't expect you to fetch me coffee unless you're getting some for yourself, and the rest we'll just make up as we go along."

raywest

Continuity mistake: During Christian and Ana's last Red Room scene together, there's a moment when Christian rubs, I'm assuming, some oil on Ana's body-more specifically her chest and breasts. When Christian enters her while she's on her side, there's no indication that the oil is still on her body, and Christian rubbed a lot on her. This is a continuous shot, so I doubt it could have dried up that quickly; it's also more noticeable when she's on her back and you can see the area(s) better.

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Christian: You taught me how to fuck, Elena. Ana taught me how to love.

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Question: Maybe I missed it but, why couldn't Ana go to New York with Jack? I thought her and Christian decided that she could go just as long as Christian would take her instead.

Answer: It wasn't specified, but it seemed to be Ana's decision alone. Jack had pressured her to go to New York with him for the Book Expo when she did not expect to, nor had he clarified that she was to also attend. She realised later that Jack was not only being unreasonable but may also have had ulterior motives. She felt empowered enough to stand up to him to say she wasn't going (with or without Christian).

raywest

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