When Jack, Danny and Wendy are living in The Overlook, (and even in Dick Halloran's house in Florida where the TV and lamps have no wires coming from them) Stanley Kubrick takes great care so that no appliance (coffee makers, radios, etc.) is seen plugged into a wall socket and that no TVs (the sets Wendy watches in the kitchen and with Danny in the lobby) have visible wires. This may be a deliberate choice to show that people (or places) that "Shine" emit enough psychic energy to power appliances. This is brilliant, but the problem is, certain wires were overlooked by the crew and can be seen coming from the lamps in Room 237 and in Wendy and Jack's apartment. If you look closely at the TV set in the kitchen where Wendy hears the forecast about the snowstorm, a tiny bit of that very well-hidden power wire can be seen under the table above the seat on the chair in the middle. [How does "this may be a deliberate choice" turn into a fact? Unless Kubrick has stated he did this, I find it a gross assumption, and therefore the claimed mistake isn't any kind of mistake, either. Beyond this, wouldn't the characters notice the cords missing and wonder how the appliances were powered?]
The Shining (1980) - 42 corrections
Directed by Stanley Kubrick, starring Barry Nelson, Danny Lloyd, Jack Nicholson, Scatman Crothers, Shelley Duvall (add more)
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When Jack, Danny and Wendy are living in The Overlook, (and even in Dick Halloran's house in Florida where the TV and lamps have no wires coming from them) Stanley Kubrick takes great care so that no appliance (coffee makers, radios, etc.) is seen plugged into a wall socket and that no TVs (the sets Wendy watches in the kitchen and with Danny in the lobby) have visible wires. This may be a deliberate choice to show that people (or places) that "Shine" emit enough psychic energy to power appliances. This is brilliant, but the problem is, certain wires were overlooked by the crew and can be seen coming from the lamps in Room 237 and in Wendy and Jack's apartment. If you look closely at the TV set in the kitchen where Wendy hears the forecast about the snowstorm, a tiny bit of that very well-hidden power wire can be seen under the table above the seat on the chair in the middle. [How does "this may be a deliberate choice" turn into a fact? Unless Kubrick has stated he did this, I find it a gross assumption, and therefore the claimed mistake isn't any kind of mistake, either. Beyond this, wouldn't the characters notice the cords missing and wonder how the appliances were powered?]
A map of the hedge maze is shown on a signpost in one scene and it is quite small and symmetrical. Later when Shelly and her son are in the maze the camera pans up for a birds-eye view of the actual maze which is much larger and asymmetrical. [The signpost is not intended to be an exact map of the hedge maze. The hotel and maze are something of a tourist attraction, and the sign is pointing the way.]
The texture of the carpet fabric decorating the Overlook Hotel,is the same as the carpet in the house of the evil child Sid in Disney's Toy Story (1995). [Pointing out that another film contains an homage to this one is not valid trivia for this film, but for the one that contains the homage. The makers of this film had nothing to do with it.]
In the French version of the movie, there is something strange. Danny is called "Doc" by his parents (Doc, Doctor, the smart one, as far as I understand, right?), which sounds like "Duck." In French, we do not have such a "Doc" expression for children and the translator used the word "Canard" which means "Duck" (I have never heard anybody call his kid "Canard," except "Mon canard"). Funny and complicated for translator's work since "Canard" and "Doc" do not have the same number of syllables. In fact, Doc is based on the Bugs Bunny Phrase "Whats up, Doc?" It shouldn't change for the French version, because its like a name or nickname. [Changing a name when translating is hardly a mistake. It was intentional and probably done because French audiences would be less familiar with Bugs Bunny.]
In the first scene which Danny rides around the hotel on his tricycle, he frequently rides over both the floor and carpets. However, the sounds made by his tricycle do not change at the exact time he passes over from one surface to the other. [I just watched the famous Steadicam shot over and over, just to see if this is true. The 'mistake' is one of faulty observation - while the rear wheels of Tommy's trike are on carpet making little noise the front wheel hits the polished wood floor and makes the loud sound - but the front wheel is often obscured by the tricycle itself. It's all perfectly in sync (and since it was recorded live, there is no reason why it wouldn't be). Not a mistake.]
When Jack is sitting at the bar and orders a drink, he takes his wallet out of his back right pocket. Just before that scene when he is walking into the Gold Room, you can very see (thanks to a short jacket and snug jeans) that there is no wallet in his back pocket. After that scene when he goes into Room 273 you can again see that he has no wallet in his pocket though there would have been no time or reason for him to leave it anywhere. [This is because he does not really have his wallet when he talks with Lloyd (the bartender) in the Gold Room. Two possible explanations to this: He imagines the scene in his cabin fever and alcoholism, or the Overlook is sending him these images to be able to tell him that his credit with the House is fine, i.e. that the spirits of the hotel trust him and value his service. The wallet is in his room the whole time, and actually contains money (as seen in the scene where Grady spills Advocaat on him, when he has retrieved it and gone back to the bar), but he does not carry it around since there is nothing to buy up there.]
When Jack is at the ball and the waiter spills on him, he has a stain on his right pant leg, mid thigh. When the waiter attempts to clean him up, the spot disappears without the waiter touching the area. [It is very questionable how "real" the scene is. Jack is delirious with cabin fever and alcoholism, so he might be imagining many of these scenes, and the other people at the party are all ghosts. Either way, the stain is not really there, but the spilling of Advocaat was necessary to make Grady and Jack connect and have a conversation. Once the hotel has achieved this purpose, the stain is no longer needed and can disappear.]
In the scene where Wendy brings Jack breakfast in their hotel room, it starts out as a reflection in a mirror then goes to an actual shot of them and the letters on Jack's shirt are backwards, in the next shot she is on a different side of him and the letters are right again. [This conversation is two shots: one is shot by Kubrick zooming straight in on a mirror, so the first half or so of their conversation does appear "backwards"; it's actually that mirror reflection. The second half or so is from cutting to a more conventional "front" shot - so now she's on the other side and his letters are straight again. You gotta look closely for this one.]
When Wendy and Danny are watching television, Danny askes her if he can go get his fire engine from his room. In that scene, the television set they are watching does not seem to have any cords or cables attached to it. [They may have figured out a way to deliberately hide the cords, or perhaps just use very very strong batteries, to end up with the image of a television running on its own with no power cord. Why? It's on the same lines as the typewriter that feeds Jack the piece of paper, the door possibly opened by ghosts - the hotel has psychic energy that makes things run and move on their own.]
When the cook returns to the hotel and Jack Nicholson kills him, he hits him once with the axe. However when Wendy sees his body later he is missing at least one arm and is covered in blood. [The first time I saw the movie I thought so too, but it really is just the camera angle that throws you off. The camera is in the exact angle that you cannot see the arm at all, so you are only seeing the black glove at the end and the body. It looks as if the arm was cut off, but it was not.]
Three separate hotels can each lay claim to being the real-life Overlook. The film was shot at the Timberline Lodge in Mt. Hood, Oregon. The back story comes from the supposedly haunted Stanley Hotel in Estes Park, Colorado (The 1997 TV remake was filmed there as well). And the name was taken from the Overlook Mountain House in Woodstock, NY. [The film was shot entirely at Elstree Film Studios in the UK, except the helicopter fly past at the start and any long distance shots. The exterior of the Overlook and the Maze was built on the back lot, the interior scenes were shot on stage, Kubrick had two stages knocked into one for bigger spaces. The snow scenes were all shot in the summer get the right light, it was mainly salt and polystyrene with air pads to keep it fluffed, the cameramen even wore snow blowing fans on their backs. A windy day resulted in a "blizzard" that blocked the High Street in Borehamwood one summer afternoon, much to the amusement of the locals.]
In the scene where Jack Nicholson is talking to the manager of the Overlook Hotel, the manager mentions the death of two girls aged 8 and 10. When Danny sees visions of the two girls they are unmistakably twins, not different ages. A quick look at the IMDb (http://uk.imdb.com/title/tt0081505/fullcredits) proves they are - Lisa and Louise Burns, both born in 1968. [The manager says the girls were between 8 and 10 years old, not that they were 8 and 10.]
When Jack is at the bar and asks for bourbon, Lloyd pours him what is obviously Jack Daniels. Although a whiskey, Jack Daniels is not bourbon. [Federal regulators and bartenders (and presumably a layperson like Jack) do classify it as bourbon. Although JD is not produced in Bourbon County, Kentucky and therefore not authentic bourbon (it is technically Tennessee Sour Mash Whiskey), it is otherwise identical.]
In the scene where Wendy first hears Danny crying 'Redrum' from his bedroom, she is in the living room pacing back and forth with a cigarette in her hand. When she enters Danny's bedroom she is no longer holding the cigarette. [When Wendy hears Danny cry 'redrum' she gets startled and drops the cigarette]
When Jack Nicholson is breaking down the bathroom door he is cutting one panel but then when he sticks his head through and says "here's Johnny," the other panel next to him is perfectly cut out even though he didn't touch it. [This is not a mistake. There is a cut between these two events, which suggests some discontinuity in time. In the first scene Jack chops through one of the panels, sticks his face through the wall and states the infamous line, and gets his hand cut as he reaches for the lock. Kubrick then cuts away to a scene of the chef approaching the hotel in his snow cat. After which Kubrick cuts back to Wendy recovering from her panic attack, we can now see that the second panel in the door has been chopped out as well. It is completely reasonable to assume that Jack may have continued chopping the second panel out while we were watching the chef approach the hotel. Jack doesn't notice the noise of the snow cat until a few moments later. Just because Kubrick didn't film and show us every progressive detail, doesn't mean it didn't happen.]
When Wendy tells Danny's doctor the story of when Jack accidentally dislocated Danny's shoulder, she says it happened five months ago. But when Jack tells Lloyd the story, he says it happened three years ago. [He's drunk and at a bar. Perhaps he's just lying to the bartender to not seem as dangerous. Everyone looks for the bartender's sympathetic ear.]
In the scene where Ullmann is interviewing Jack Torrance for the caretaker's position, he refers to the former caretaker as Charles Grady. Later in the film, when Torrance meets up with Grady in a bathroom, the name changes to Delbert Grady. [This is not a mistake. The film is about people existing in different time frames. Charles Grady was the caretaker in 1970. Delbert was a waiter years before that. There was some sort of weird force at work that drew Charles (who is Delbert in a different time frame) to the hotel in the 70's and caused him to kill his family. This is being repeated now as Jack is drawn to the hotel and attempts to do the same. It is at the end of the film that we learn that Jack too has previously been at the hotel in a different time frame (in the photo with the date on it). This is why Delbert says both he and Jack have always been there when they talk in the bathroom.]
In the scene when Jack Nicholson goes into the Gold Room bar and orders a drink, he pulls out his wallet to pay. He then shows the bartender that he doesn't have any money. He leaves to go check on room 237 to find the crazy woman who tried to strangle Danny. He then goes back to the bar and orders another drink and now has money in his wallet. [He imagined his wallet the first time, and therefore imagined that is was empty (or the Overlook sent him that image, to show that his credit was fine and he was on good terms with "the House"). The second bar scene happens much later, after he has picked up his wallet from their room.]
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