Shorty: Polly want a cracker?
Polly: Polly wants your mama's sweet ass.
Shorty: What did Polly say to me?
Polly: I said, "Polly wants your mama's sweet ass."
Shorty: You don't be talkin' 'bout my mama, son. You don't know my mama, son.
Polly: Yeah, I know your mama. I fucked her last night.
Shorty: You want beef? I'll fuck you up.
In the beginning when they did the spoof of The Exorcist the tongue they used for the girl was the tongue they used for Linda Blair for The Exorcist. They borrowed it, and after filming the scene returned it. See more...
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Continuity: When Cindy and Buddy are in the cool room and she is talking on the cups, you can see what appears to be blood on the bottom of her pants. In a scene cut from the film (it's on the DVD), Cindy covers the floor in blood before they get pushed into the cool room (spoofing Hollow Man). Since scene wasn't in the film, she shouldn't have the blood on the bottom of her pants.
Continuity: In the opening scene when the priest is playing the piano, in close shots of him you can see the back of the musical sheets sitting on the piano, and they are just pages of musical notes. Yet between two shots a book which says "Eckstein" appears. Then in the next close shot the "Eckstein" booklet isn't there and just musical sheets are visible.
Continuity: When it shows Dwight and Theo together, Dwight goes to the stairs, and starts to climb up on his own, and Theo covers him. In one shot, as it shows Theo holding her gun out, there is a clock by her, and the time is 9:10. But when the shot changes, and Theo asks Dwight "Do you need help" the time has changed to 9:45
Continuity: In the scene after the main female characters portray Charlie's Angels, they go back to where the guy in the wheelchair has set up a pad that Cindy has to lure the ghost into, from one shot to the next (when Cindy goes to lure the ghost) Cindy's lipstick colour changes instantly from red to beige although her clothes stay the same.
Continuity: When Cindy is driving along, singing, both of her windows are rolled down about halfway. We can see the window next to Cindy is rolled down halfway in the first two closeups of Cindy. It then cuts to a wideshot of the car and then another closeup, and the window is now fully winded down. Cindy clearly never winds the window down, it has just rolled down between shots.