Continuity: In the Nice chase scene, when the two cars come to construction work on the road, in the far shots the Audi S8 is quite close to the Peugeot, yet when the Peugeot swerves to avoid a crash with the construction lorry, if you slow it down you can see the Audi has completely disappeared.

Deliberate "mistake": When Gregor is holding a long lens camera in a cafe house, he is pointing it at two men, you can see this when he looks through the lens, yet the next shot of through the lens is not from his camera but more like from a person standing right next to the two men.

Continuity: In the middle of the film when Gregor is selling the suitcase onto the Russian guy in his jeep, you can see that when Gregor puts his foot on the accelerator the other guy jerks about and the last shot we see his head is down, yet the following shot he is looking at Gregor before the splatter of blood on the window.

Continuity: On the freeway chase scene between the BMW and the Peugeot, when the BMW gets flipped over and slides and the Peugeot hits it, the BMW goes over the edge and Peugeot slides round almost facing backwards. In the following shot from the ground the Peugeot has changed direction.

Continuity: Just before they head out to make the deal with the arms dealers, De Niro and Skarsgård are talking at a table, if you look on the table there is a flask and a cup. In the first shot, the cup is on the left of the flask, but on the overhead shot it's on the right of the flask, then it's back on the left.

Continuity: At the start of the "Nice" scene, De Niro is standing under the big NICE sign with a gold post, but in the following shot he is about two feet away from it.

Continuity: When the group are discussing the plan for the ambush, the top line and words on the whiteboard changes, and the arrow changes from being pointed at the bottom of one of the photos to pointing at the top photo.

Continuity: In a close up of one of the alloy wheels on the BMW during the big chase, the wheel has changed style to a cross spoke.

Continuity: While chasing Deidre the dividers between the lanes change. Right after the chase leaves the tunnel all the views of the road scene looking back at the cars show a road with a solid concrete divider separating oncoming traffic. But all the "driver's eye" views of the road show a post and guard-rail type divider.

Continuity: At the start of the first chase scene in Nice, Jean Reno walks across the road to test the traffic lights device. There are concrete cones to the right of the screen, NOT by the grocery store, yet, on the overhead shot, when he is trying out the lights, three have appeared in front of him next to the grocery store.

Continuity: At the start of the Nice ambush for the silver case, the bad guys are shooting at Sam who is leaning against a grey car. He ducks behind it, but in the following wider shot Sam is still leaning against the grey car.

Plot hole: What happened to the second car? Larry sideswiped it and forced it off the road. Vincent and Sam seem to arrive in Nice first but somehow that second car is ahead of them when they force it to crash at the market.

Revealing: During the final chase scene with the BMW and the Peugeot. Just as they go down into the first tunnel, they cut in front of a car transporter forcing it to brake hard. A car on top of it then flips forward onto the road. If you look at the ramp as the car tips up, you can see a mechanical arm/rod lift it up to make it fall off.

Continuity: During the arms deal scene at the beginning, when Vincent and Spence go underneath the tunnel approaching the arms dealers boss, one of them shouts, "Stop!" He raises his right arm when shouting, but in the following close-up he has actually raised his left arm. Zoom in required.

Continuity: Just before the group goes out to collect the weapons from the buyers at the beginning of the film, the group are gearing up to go out, and Sam is talking to Deidre about the arms people. When Deidre burns the piece of paper and walks away her hair is obviously going down her back, but in the following shot there is now no hair on her back.

Continuity: At the beginning, when the group are discussing the plans for the ambush and the driver says, "I'm gonna need an Audi S8," Gregor looks up and stops writing, but in the following shot his head is down and he is still writing.

Continuity: Just before the Nice chase scene when Deidre gets off the train, she walks to an elevator. If you look to the left of the screen you can see Seamus with a black hat or french beret on, but in the following shot, the hat has disappeared.

Visible crew/equipment: During the scene at the whiteboard where Robert De Niro is asking Sean Bean about the colour of the boathouse at Hereford, the shadow of the boom mia can be seen on Robert's forehead.

Visible crew/equipment: Shortly after the AudiS8 chases the CitroenXM through the fish market, both cars then go into a narrow street. There is a rear shot of the Audi going into the street where you can see camera equipment on the roof of the car. In the next outside shot of the car it has gone.

Continuity: In their initial hideout discussing the ambush, De Niro repeats several times to Sean Bean "Draw it again" then they have argument and De Niro apprehends Sean Bean. In the shot where De Niro pulls gun out of the back of Sean Bean's trousers, Sean Bean is definitely turned with his back to De Niro, where in the previous and following shot he is facing De Niro.