Continuity: In the beginning when Doc takes Marty and Jennifer to 2015 for the first time, they are descending towards Hill Valley. Doc turns the steering wheel to the left but the car goes right and down.

Continuity: When Marty (the Marty wearing the dark clothing) is at the dance and the Marty of 1955 is on stage is about to sing Johnny B. Goode, you can hear the 1955 Marty saying "this is a blues riff in B watch for the changes and try to keep up" through the microphone. Yet in the original, Marty looks away from the mike when he says this and is unamplified.

Continuity: When Marty is in Mr. Strickland's office trying to take back the almanac, it shows a wide view of the office with two flags right next to each other. After cutting to a close up view of Marty they are apart, then Marty moves them together.

Continuity: If you look very closely, after Marty flips on the little girl's hover board and is laying on his stomach, when he goes to get up you can see that he's wearing regular lace style tennis shoes and not the auto-lace high tops that Doc gives him as soon as they get to 2015. You may need to pause it to see them.

Continuity: In the scene where the 1985 Jennifer is in her 2015 home and says "I get married in the Chapel-O-Love?" right before she picks up the picture note the Chapel-O-Love picture and frame on the bookcase behind her. After she picks it up and drops it leaving it on the floor she looks for a place to hide. Later on when the old Lorraine and George are in the living room, take another look at the picture on the bookcase; the Chapel picture is set back up. You could argue Lorraine would have had enough time to set it back up. But look at the Chapel picture; it's inserted in the frame upside down. You can tell by looking at the frame stand behind it. Meaning someone physically removed the picture and put it that way.

Visible crew/equipment: At the end of the famous court yard chase scene when Griff and gang crash through the courthouse windows, you can see in plain sight the reflection of cables and the mechanisms that held them in the air.

Continuity: In the Café 80's just after you hear Marty say, "It is Wild Gunman", notice the three people sitting in the second booth from the back wall. When the scene changes to Marty throwing his hat on top of the game, you can see that the people have changed tables. You can also see that they are gone again when it shows a close-up of the two kids.

Audio problem: When Doc and Marty return to the year 1955, you hear the squealing sound of tyres braking heavily, but the DeLorean is flying.

Visible crew/equipment: Right as Young Biff starts to chase after Marty through the tunnel, there is a shot of the wheel spinning around, and you can see the camera crew reflected in the hubcap.

Audio problem: After Doc and Marty return to 1955 in an effort to steal the almanac back from Biff, they land the DeLorean. Doc says, "Here's some binoculars" then says "and" but watch his lips as he says "and", it just doesn't match. You could argue that it is a bad angle but even at the angle it's at, you get an OK view.

Deliberate "mistake": In the scene where Old Biff and Young Biff are sitting in Biff's car, the car's rear-view mirror vanishes during all shots of Old and Young Biffs together. Presumably this made the split-screen effect easier to do.

Continuity: In the scene when Biff is trying to get Lorraine to go to the Dance with him, (the bit when Lorraine is looking at her dress) you see the same extra walking past her about 3 times. One shot he's walked past her, the next shot he's walking past her again.

Continuity: In the scene where Marty avoids Griff and his thugs by jumping in the water off his hover board, his hair gets wet. After his coat dries his hair he rubs his hand through it. It gets all messy and crazy and uncombed. The very next shot shows him talking to the girls with perfectly combed hair.

Continuity: When Biff punches Marty in the stomach, he falls to the ground between Biff's henchman. The camera angle changes to a wide shot and Marty is still on the floor but he's about 3 feet in front of the henchman now.

Visible crew/equipment: When Doc and Marty arrive in 2015 when the car is landing in the alley you can see the mechanism that is lowering the car. Just as the scene switches from the front of the car (right after the headlights go out) to the back of the car, look between the car and the building at the same level as the back bumper. There is something that is moving down with the car.

Continuity: In the part where Marty is trapped in Biff's garage, Biff's rear view mirror on his car is at the very top of his windshield. Later on when Marty is holding on to the car with the hover board the rear view mirror is in the middle of his windshield. The rear-view mirror was lowered about six inches or so.

Revealing: When Marty, in the 1955 dance, looks at his father with his binoculars, you can see that the angle of the binoculars are really misplaced. Marty is looking him at his far front, but the binoculars' image comes more from the floor. In fact, what the binoculars show is from the first film.

Revealing: When the Doc of the future is in 1955 and sees the DeLorean, his hair is short (in fact you can see that the actor is wearing the wig that he wore for the 1955 Doc), but after a shot to Marty and back again, his hair is the same length as it was in 1985.

Visible crew/equipment: When Old Biff says, "Something very familiar about all this," a crew member is reflected in the restaurant window behind him.

Continuity: In 'Part 1,' after Doc crashes into the trash can, Marty waves his hand in front of Doc's torso. In 'Part 2,' he waves his hand in front of Doc's glasses.