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In the shot where we see all the terrorists (except Karl and Theo, who are upstairs) walking into the building from downstairs, they are about to walk through a doorway when the camera cuts out. Watch the terrorist on the left (he's the one who guards the door) - before the camera cuts out he realises he's about to hit the doorframe very hard. Reminiscent of the Stormtrooper in Star Wars.
As Tom Cruise and Elisabeth Shue are walking on the beach on their first date, they walk towards the camera, and you see the shadow of the camera crew very clearly.
When they are at the Nutmar camp in the mountains, Val Kilmer tells Willow "Get on that shield!" but when they go over a 6, 7, 8 foot drop when they are sledding down the snow, you can clearly see runners on the shield.
There is a scene where Arnie and Danny DeVito are in the washroom of a nightclub. In one shot there is a beer bottle on top of a shelf, and in the next shot it's gone.
During the chase scene, Steven Seagal has his tyre shot as he's fleeing from the bad guys. In the next shot, the tires are totally gone from the rims, then they're back again, then they're gone again.
In the scene in the restaurant where Tom Cruise and Dustin Hoffman are trying to order breakfast, Hoffman's character fixes the salt and pepper shaker a certain way. In the next shot they are opposite the way he fixed them. Then in the next shot they are back to the way he had fixed them.
After Jim's horse is shot from under him while running down the really steep hill, and Jim later regains consciousness, before he turns and finds his horse dead, if you watch closely you can see the horse still breathing.
Rambo has a cut on his left cheek bone that is forever getting smaller, bigger, scabby and in some scenes it's gone. Sometimes it's white, sometimes red. This all happens in one day.
When Valiant came upon the ugly Jessica look-alike, and she began to chase him, the chase ends with Eddie moving the roadline towards a wall, the results of which are her crashing into it. When Eddie throws the line to the wall, you can see that the cartoon line goes a bit "into the filmed wall" and covers a part of it.
As the brown truck drives away in the scene after the man working in the newspaper office is "harpooned" by a critter, if you look closely as the truck turns a corner you can see some critters rolling after it. Well, after they roll past the truck in the bottom left of the screen you can see the critters roll right smack into another parked car. Obviously the crew forgot to add a turning feature to their critter balls (which were just some fur taped to a basket ball).
In the scene where the souls are coming out of Freddy's chest, in the first close-up on the bottom left of the screen you can see a man's hand holding a black stick to manuoever the little arms. It's real fast but noticable on standard play.
In the scene were Jake is in the bed already after telling Christy he was really tired and didn't want to be bothered he rolls over. She comes out of the bathroom & of course fanning the room from all of his cologne. Christy lays down in bed flat with no pillow behind her head. In the next scene showing Jake's face & Christy behind him in bed she now has a pillow under her and is much higher up in bed.
About 40 minutes from the end (I think - Michelle Pfeiffer is on a beach with Dean Stockwell), a boom mike comes in from the bottom of the screen <i>very</i> obviously, taking up about a third of the screen.
There is a scene where the kids are being chased in a speedboat, while mortars are being launched at them from behind. One shot is of the young boy looking at an incoming mortar over his <em>right</em> shoulder, yelling "Look Out!", and then seeing the mortar hit on the <em>left</em> side of the boat.
At the end when Michael Jackson is singing come together, at the end of the song his shirt is undone, but when the camera shoots back on him his shirt isn't ripped.
In the barber shop scene at the end of the film, Agent Anderson terrorises Deputy Sheriff Pell (who has a full head of hair) with a razor blade. Anderson throws him across the room, but the person being thrown across the room has a mostly bald head.
When Peter shoots his wife he's hugs her and kisses her goodbye. When he pulls away from her, there is blood all over her white shirt but nothing on his.
When Johnny is spinning the two robbers around, you can tell that he is actually holding dummies. In the close up shots of the robbers, you can see them kicking their legs, but in the wide shots of the room, they are rigid and lifeless.
When Tereza first gets her camera she takes photos which show Prague street life pre-Soviet invasion. So presumably it's late 1967 or early 1968. The background music is a Czech cover version of "Hey Jude" by the Beatles. This song wasn't released in the west until 1969.
When Tess arrives at Cyn's party at the bar, she finds Mick drinking. She joins him and puts her purse on the table. Mick asks her to dance and the next shot you can see purse strap is back on her shoulder.
In the bathroom scene where Mike's ex-girlfriend is getting undressed to take a shower a long-necked clown jumps from out of the toilet. Anyone and I mean anyone can clearly see the arm of a white guy sticking out of the bottom of the clown's neck controlling the puppet.
The F-16 in the movie is wearing a desert camouflage, this is the standard camouflage of the Israel's air force F-16 while the USAF F-16 have two tonalities of grey
As Tina swerves off of the road after seeing her mum get killed by Jason in the middle of the road, if you look in the back of the car, you can see a camera set up, filming the shots in the back seat.
In the scene where CC Bloom abruptly leaves the Hollywood bowl towards the beginning of the movie, she gets into the limousine opened by her chauffeur. When the chauffeur closes the door, you can see the cameraman and another person to the left in the reflection.
Any time when the two girls are in hell's corridors and running around, you see these corridors as stone walls, yet whenever they back up against one of these walls, you can clearly see they are merely rubber sheeting overlayed on a framework as the rubber sheeting bends and contracts very clearly.
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